![]() |
| Long, swinging hair and natural make-up added to the feeling of a Seventies ethos of liberation in Shiatzy Chen's new collection in Paris. Photograph (above) and cover picture by Jay Zoo for DAM. |
Shiatzy Chen’s Spring/Summer 2026 collection at Paris Fashion Week, captured the untamed energy of the horse and the free-spirited ethos of 1970s bohemian style. Blending flowing fabrics, intricate embroidery, and equestrian-inspired details, the designs merged Eastern craftsmanship with Western silhouettes. Through a palette that ranged from earthy neutrals to vibrant neons, and playful combinations of structured tailoring and relaxed layering, the Taiwanese designer celebrated movement, individuality, and cultural dialogue, delivering a collection that was at once romantic, bold, and contemporary. Story by Jeanne-Marie Cilento. Photographs by Jay Zoo
![]() |
Leather straps and belts gave the collection an equestrian theme. |
From the first look, the collection exuded movement and freedom. Textiles such as chiffon, lace, and lightweight cotton-linen moved with each step, punctuated by the structured curves of saddle-inspired pockets and tailored flares.
The designer's signature embroidery appeared throughout, not as ornamentation, but as storytelling, adding a certain vitality to each garment. Multi-directional patterns and ribbon detailing recalled the handcraft of folk art, while maintaining a sophistication suitable for Paris’ discerning fashion audience.
Color played a central role in the collection’s narrative. Tobacco browns and coffee tones suggested the earthy landscape of a sun-drenched horizon, while blues, fuchsias, and cobalt punctuated the neutrals like bursts of bright sunlight on a wild meadow. Black and white served as grounding elements, echoing the elegance and discipline inherent in Chen’s tailoring. Together, the palette reflected the duality of the collection: daydreaming wanderers and nocturnal revelers, pastoral calm and disco vibrancy coexisting in balance.
There was a freedom to mix and match, with unexpected pairings such as crochet tops with suiting or pajamas as outerwear, a playful nod to the era of bohemian experimentation.
![]() |
Silk scarves and softly flowing, floral designs enhanced the 70's style. |
Accessories reinforced the equestrian and hippie motifs. Triangular silk scarves became headbands or neckerchiefs; saddle-shaped bags with dimensional clasps offered a subtle nod to the horse motif; while jewellery repurposed bits and horseshoes into necklaces, brooches, and belts. Footwear included reimagined Mary Janes, platform sandals, and brogues, some with metallic accents, merging functionality with exuberant style.
What set this collection apart was Chen's ability to channel her horse-inspired themes into designs that evoked a sense of liberation. Balancing her feel for ethereal romance and bold physicality, the designer was able to fuse Eastern sensibilities with a Western bohemian spirit. In Unstill, Shiatzy Chen once again demonstrated why she is one of the few designers who can continually reinvent the dialogue between heritage and modernity and East and West, in new and interesting ways.
Scroll down to see more highlights from the Shiatzy Chen SS26 show at the Palais de Tokyo in Paris


















































































