Tuesday, 17 February 2026

Is Social Media Addictive? How it Keeps You Clicking and the Harms it Can Cause

The consequences of social media overuse can be significiant. Recent studies have identified a wide range of pernicious effects. Cover picture of Dua Lipa in Berlin by Jay Zoo for DAM


By Quynh Hoang

For years, big tech companies have placed the burden of managing screen time squarely on individuals and parents, operating on the assumption that capturing human attention is fair game.

But the social media sands may slowly be shifting. A test-case jury trial in Los Angeles is accusing big tech companies of creating “addiction machines”. While TikTok and Snapchat have already settled with the 20-year-old plaintiff, Meta’s CEO, Mark Zuckerberg, is due to give evidence in the courtroom this week.

The European Commission recently issued a preliminary ruling against TikTok, stating that the app’s design – with features such as infinite scroll and autoplay – breaches the EU Digital Services Act. One industry expert told the BBC that the problem is “no longer just about toxic content, it’s about toxic design”.

Meta and other defendants have historically argued that their platforms are communication tools, not traps, and that “addiction” is a mischaracterisation of high engagement.

“I think it’s important to differentiate between clinical addiction and problematic use,” Instagram chief Adam Mosseri testified in the LA court. He noted that the field of psychology does not classify social media addiction as an official diagnosis.

Tech giants maintain that users and parents have the agency and tools to manage screen time. However, a growing body of academic research suggests features like infinite scrolling, autoplay and push notifications are engineered to override human self-control.

Video: CBS News.

A state of ‘automated attachment’

My research with colleagues on digital consumption behaviour also challenges the idea that excessive social media use is a failure of personal willpower. Through interviews with 32 self-identified excessive users and an analysis of online discussions dedicated to heavy digital use, we found that consumers frequently enter a state of “automated attachment”.

This is when connection to the device becomes purely reflexive, as conscious decision-making is effectively suspended by the platform’s design.

We found that the impulse to use these platforms sometimes occurs before the user is even fully conscious. One participant admitted: “I’m waking up, I’m not even totally conscious, and I’m already doing things on the device.”

Another described this loss of agency vividly: “I found myself mindlessly opening the [TikTok] app every time I felt even the tiniest bit bored … My thumb was reaching to its old spot on reflex, without a conscious thought.”

Social media proponents argue that “screen addiction” isn’t the same as substance abuse. However, new neurophysiological evidence suggests that frequent engagement with these algorithms alters dopamine pathways, fostering a dependency that is “analogous to substance addiction”.

Strategies that keep users engaged

The argument that users should simply exercise willpower also needs to be understood in the context of the sophisticated strategies platforms employ to keep users engaged. These include:

1. Removing stopping cues

Features like infinite scroll, autoplay and push notifications create a continuous flow of content. By eliminating natural end-points, the design effectively shifts users into autopilot mode, making stopping a viewing session more difficult.

2. Variable rewards

Similar to a slot machine, algorithms deliver intermittent, unpredictable rewards such as likes and personalised videos. This unpredictability triggers the dopamine system, creating a compulsive cycle of seeking and anticipation.

3. Social pressure

Features such as notifications and time-limited story posts have been found to exploit psychological vulnerabilities, inducing anxiety that for many users can only be relieved by checking the app. Strategies employing “emotional steering” can take advantage of psychological vulnerabilities, such as people’s fear of missing out, to instil a sense of social obligation and guilt if they attempt to disconnect.

Vulnerability in children

The issue of social media addiction is of particular concern when it comes to children, whose impulse control mechanisms are still developing. The US trial’s plaintiff says she began using social media at the age of six, and that her early exposure to these platforms led to a spiral into addiction.

A growing body of research suggests that “variable reward schedules” are especially potent for developing minds, which exhibit a heightened sensitivity to rewards. Children lack the cognitive brakes to resist these dopamine loops because their emotional regulation and impulsivity controls are still developing.

Lawyers in the US trial have pointed to internal documents, known as “Project Myst”, which allegedly show that Meta knew parental controls were ineffective against these engagement loops. Meta’s attorney, Paul Schmidt, countered that the plaintiff’s struggles stemmed from pre-existing childhood trauma rather than platform design.

The company has long argued that it provides parents with “robust tools at their fingertips”, and that the primary issue is “behavioural” – because many parents fail to use them.

Our study heard from many adults (mainly in their 20s) who described the near-impossibility of controlling levels of use, despite their best efforts. If these adults cannot stop opening apps on reflex, expecting a child to exercise restraint with apps that affect human neurophysiology seems even more unrealistic.

Potential harms of overuse

The consequences of social media overuse can be significant. Our research and recent studies have identified a wide range of potential harms.

These include “psychological entrapment”. Participants in our study described a “feedback loop of doom and despair”. Users can turn to platforms to escape anxiety, only to find that the scrolling deepens their feelings of emptiness and isolation.

Excessive exposure to rapidly changing, highly stimulating content can fracture the user’s attention span, making it harder to focus on complex real-world tasks.

And many users describe feeling “defeated” by the technology. Social media’s erosion of autonomy can leave people unable to align their online actions, such as overlong sessions, with their intentions.

A ruling against social media companies in the LA court case, or enforced redesign of their apps in the EU, could have profound implications for the way these platforms are operated in future.

But while big tech companies have grown at dizzying rates over the past two decades, attempts to rein in their products on both sides of the Atlantic remain slow and painstaking. In this era of “use first, legislate later”, people all over the world, of all ages, are the laboratory mice.The Conversation

Quynh Hoang, Lecturer in Marketing and Consumption, Department of Marketing and Strategy, University of Leicester

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76th Berlin International Film Festival: Dua Lipa on the Red Carpet in Black and White by Andrea Heinsohn








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Monday, 16 February 2026

Licence to Thrill? Dua Lipa and Callum Turner Turn Up the Heat on a Wintry Valentine's Night at the Berlin Film Festival

Dua Lipa made a surprise appearance on the red carpet in Berlin with Callum Turner during the film festival. Photograph and cover picture by Jay Zoo for DAM

On a snowy Valentine’s night, the 76th Berlin International Film Festival delivered one of its most magnetic red carpet moments. As flakes fell outside the Berlinale Palast, Dua Lipa stepped out in support of her fiancé Callum Turner for the world premiere of Rosebush Pruning, transforming a major cinematic debut into a display of star power, romance and rising career momentum on one of Europe’s most influential film stages. Story by Jeanne-Marie Cilento. Photography by Jay Zoo

The couple openly showed their affection for 
each other on the red carpet on Valentine's night. 
THE world premiere of Rosebush Pruning was a study in contrasts: biting satire on screen and unabashed romance on the red carpet. At the Berlinale Palast, cameras flashed as Dua Lipa arrived in support of her fiancé, Callum Turner, turning the film debut into one of the festival’s most talked-about arrivals.

Dua Lipa, fresh from the global sweep of her Radical Optimism tour, cut a striking figure in a sheer black lace gown, its sculptural neckline and delicate crochet detailing offset by a sleek centre-parted bun and diamond choker. Turner opted for understated tailoring in a relaxed brown suit with a pale shirt and tie. Their ease with one another, clasped hands, whispered exchanges, a quick kiss before Turner faced the photographers solo provided a moment of warmth against Berlin’s winter chill.

Inside, the focus shifted firmly to the film. Directed by Brazilian filmmaker Karim Aïnouz, Rosebush Pruning is a sharp-edged satire centred on four privileged American siblings unraveling under the weight of inheritance, denial and long-buried family secrets. Turner leads an ensemble that includes Riley Keough, Jamie Bell, Elle Fanning, Tracy Letts and Pamela Anderson, a cross-generational cast that underscores the film’s themes of legacy and disintegration.

At the Berlinale Palast, cameras flashed as Dua Lipa arrived in support of her fiancé, Callum Turner, turning the film debut into one of the festival’s most talked-about arrivals.

The press corps taking pictures of the pair
with rows of excited fans in the background/
Earlier in the day, Turner fielded inevitable questions about persistent speculation linking him to the next James Bond. With a measured smile, he declined to engage, allowing Letts to deflect the moment with humour. The exchange only heightened the sense that Turner’s career is entering a pivotal chapter, one defined less by rumour than by increasingly ambitious roles.

Yet on this particular evening, professional momentum shared the spotlight with personal devotion. Lipa’s presence was not billed in advance, and her decision to step back after their joint photographs ensured the premiere remained Turner’s night. In a festival known for political cinema and industry deal-making, Rosebush Pruning’s debut offered something simpler but no less potent: a reminder that, even amid satire about fractured families, romance can still command the frame. 

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Sunday, 15 February 2026

Berlin International Film Festival: Michelle Yeoh Awarded the Honorary Golden Bear

In Berlin at a special photocall the next day, Michelle Yeoh showed her Golden Bear award she had been presented with the evening before. Photograph (above) by Jay Zoo for DAM

Michelle Yeoh was honoured with the Golden Bear for lifetime achievement at the 76th Berlin International Film Festival, marking a historic first as the award’s first Asian female recipient. The accolade recognizes a four-decade career that has spanned Hong Kong action cinema, Hollywood blockbusters and Oscar-winning drama, cementing her status as one of the most influential and enduring figures in contemporary film, writes Jeanne-Marie Cilento. Photography by Jay Zoo 

On the red carpet at the Berlinale,
Michelle Yeoh wearing an elegantly
svelte Giorgio Armani gown 

RECIEVING the Berlinale’s highest lifetime achievement honour, Michelle Yeoh was awarded the Honorary Golden Bear during a glamourous presentation at the festival’s opening ceremony. Acclaimed American filmmaker Sean Baker introduced Yeoh to a packed auditorium. 

Baker, who recently collaborated with the actor on the short film Sandiwara, described her as a “once-in-a-generation screen presence” whose work has consistently elevated the medium. He praised her commitment to artistic integrity and her refusal to be confined by stereotype or expectation.

Visibly moved as she accepted the Golden Bear, Yeoh balanced humour with reflection. She joked about future collaborations with Baker before turning to a deeply personal note, speaking of her late father and the values of discipline and perseverance he instilled in her. “If something is worth doing, it is worth doing properly,” she said, crediting that philosophy for sustaining her four-decade career.

Yeoh emphasised that the award represented not a single performance but a body of work shaped by persistence. Born in Malaysia, she first gained prominence in Hong Kong action cinema before transitioning to international productions. 

American director Sean Baker described Michelle Yeoh as a “once-in-a-generation screen presence” whose work has consistently elevated the medium. 

Michelle Yeoh strikes a pose the day after
her award in Berlin in front of her fans. 
Her breakthrough into global mainstream audiences included roles in films such as Crouching Tiger, Hidden Dragon and the James Bond instalment Tomorrow Never Dies. In 2023, she made history at the 95th Academy Awards, becoming the first Malaysian and first Asian woman to win Best Actress for her performance in Everything Everywhere All at Once.

Speaking to press in Berlin, Yeoh declined to comment on U.S. political matters, stating she preferred to focus on cinema. She defended the enduring relevance of the theatrical experience, describing it as a shared space where audiences “open their hearts and free their minds.”

She also addressed representation in Hollywood, acknowledging that progress for Asian actors has been hard won. Projects such as Crazy Rich Asians and Everything Everywhere All at Once, she noted, were initially viewed as commercial risks. Their success, she argued, demonstrated that global audiences are ready for broader storytelling.

As the audience rose in a sustained standing ovation, Yeoh held the Golden Bear close. The honour, she said, symbolised resilience and a reminder that artists who persist can reshape the industry itself. 

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Saturday, 14 February 2026

76th Berlin International Film Festival Red Carpet Opening Gala

Michelle Yeoh on the red carpet on the opening night of the Berlin Film Festival, with husband Jean Todt, where she was awarded the prestigious Honorary Golden Bear for lifetime achievement. Photograph (above) and cover by Jay Zoo for DAM 


On a cold, rain-soaked Berlin evening, the 76th Berlin International Film Festival opens with umbrellas aloft and flashbulbs cutting through the mist outside the Berlinale Palast. Despite the winter chill, the red carpet hummed with energy  for the Opening Gala, the premiere of No Good Men, and the presentation of the Honorary Golden Bear to Michelle Yeoh. The weather did little to dampen the sense of occasion. Our photographers Andrea Heinsohn and Jay Zoo braved the elements to capture it all.

Wim Wenders, the president of the international
jury of the film festival, with wife Donata.
Photograph: Andrea Heinsohn
THE Berlinale opened with the kind of ceremony that reminds the industry why it remains one of cinema’s most politically attuned and publicly engaged stages. 

At the Berlinale Palast, flashbulbs fractured the winter dark as filmmakers, actors and producers gathered to mark the start of ten days that will celebrate and interrogate the state of world cinema.

Festival Director Tricia Tuttle and International Jury President Wim Wenders lead the proceedings, formally declaring the festival open before introducing a jury that reflects the Berlinale’s global reach. 

The presentation of the Honorary Golden Bear to Michelle Yeoh provided the evening’s emotional apex. One of the most versatile actors of her generation, Yeoh is honoured not only for a body of work that bridges continents and genres, but for reshaping what international stardom looks like in the 21st century. Academy Award–winner Sean Baker delivered the tribute, underscoring the festival’s commitment to bold, independent voices.

The gala culminated in the world premiere of No Good Men, the opening film by award-winning Afghan director Shahrbanoo Sadat. Its debut set an immediate tone: politically resonant, assured and unafraid of complexity. As the cast joined Sadat on stage, the Berlinale signals its priorities, cinema as witness, as provocation, as dialogue.

On the red carpet, Berlin’s Governing Mayor Kai Wegner, Minister of State for Culture Wolfram Weimer and an international guest list spanning auteurs, actors and emerging talents underline the festival’s dual identity: civic and artistic event and global marketplace. With 22 films now in competition and the awards set for February 21, the 2026 Berlinale began with an exciting opening crescendo. ~ Jeanne-Marie Cilento

Scroll down to see the highlights from the red carpet on the opening night of the Berlin Film Festival

76th Berlin International Film Festival Red Carpet Opening Gala. Photograph: Jay Zoo
76th Berlin International Film Festival Red Carpet Opening Gala. Photograph: Andrea Heinsohn

76th Berlin International Film Festival Red Carpet Opening Gala. Photograph: Andrea Heinsohn
76th Berlin International Film Festival Red Carpet Opening Gala. Photograph: Jay Zoo

76th Berlin International Film Festival Red Carpet Opening Gala. Photograph: Jay Zoo

76th Berlin International Film Festival Red Carpet Opening Gala. Photograph: Jay Zoo

76th Berlin International Film Festival Red Carpet Opening Gala. Photograph: Jay Zoo

76th Berlin International Film Festival Red Carpet Opening Gala. Photograph: Jay Zoo

76th Berlin International Film Festival Red Carpet Opening Gala. Photograph: Andrea Heinsohn

76th Berlin International Film Festival Red Carpet Opening Gala. Photograph: Andrea Heinsohn

76th Berlin International Film Festival Red Carpet Opening Gala. Photograph: Andrea Heinsohn

76th Berlin International Film Festival Red Carpet Opening Gala. Photograph: Andrea Heinsohn

76th Berlin International Film Festival Red Carpet Opening Gala. Photograph: Andrea Heinsohn
76th Berlin International Film Festival Red Carpet Opening Gala. Photograph: Jay Zoo

76th Berlin International Film Festival Red Carpet Opening Gala. Photograph: Jay Zoo

76th Berlin International Film Festival Red Carpet Opening Gala. Photograph: Jay Zoo

76th Berlin International Film Festival Red Carpet Opening Gala. Photograph: Jay Zoo

76th Berlin International Film Festival Red Carpet Opening Gala. Photograph: Jay Zoo

76th Berlin International Film Festival Red Carpet Opening Gala. Photograph: Andrea Heinsohn

76th Berlin International Film Festival Red Carpet Opening Gala. Photograph: Andrea Heinsohn

76th Berlin International Film Festival Red Carpet Opening Gala. Photograph: Andrea Heinsohn

76th Berlin International Film Festival Red Carpet Opening Gala. Photograph: Andrea Heinsohn

76th Berlin International Film Festival Red Carpet Opening Gala. Photograph: Andrea Heinsohn

76th Berlin International Film Festival Red Carpet Opening Gala. Photograph: Andrea Heinsohn
76th Berlin International Film Festival Red Carpet Opening Gala. Photograph: Jay Zoo

76th Berlin International Film Festival Red Carpet Opening Gala. Photograph: Jay Zoo

76th Berlin International Film Festival Red Carpet Opening Gala. Photograph: Jay Zoo

76th Berlin International Film Festival Red Carpet Opening Gala. Photograph: Jay Zoo

76th Berlin International Film Festival Red Carpet Opening Gala. Photograph: Jay Zoo
76th Berlin International Film Festival Red Carpet Opening Gala. Photograph: Andrea Heinsohn

76th Berlin International Film Festival Red Carpet Opening Gala. Photograph: Andrea Heinsohn

76th Berlin International Film Festival Red Carpet Opening Gala. Photograph: Andrea Heinsohn

76th Berlin International Film Festival Red Carpet Opening Gala. Photograph: Andrea Heinsohn

76th Berlin International Film Festival Red Carpet Opening Gala. Photograph: Andrea Heinsohn
76th Berlin International Film Festival Red Carpet Opening Gala. Photograph: Jay Zoo

76th Berlin International Film Festival Red Carpet Opening Gala. Photograph: Jay Zoo

76th Berlin International Film Festival Red Carpet Opening Gala. Photograph: Jay Zoo

76th Berlin International Film Festival Red Carpet Opening Gala. Photograph: Jay Zoo

76th Berlin International Film Festival Red Carpet Opening Gala. Photograph: Jay Zoo
76th Berlin International Film Festival Red Carpet Opening Gala. Photograph: Andrea Heinsohn

76th Berlin International Film Festival Red Carpet Opening Gala. Photograph: Andrea Heinsohn

76th Berlin International Film Festival Red Carpet Opening Gala. Photograph: Andrea Heinsohn

76th Berlin International Film Festival Red Carpet Opening Gala. Photograph: Andrea Heinsohn
76th Berlin International Film Festival Red Carpet Opening Gala. Photograph: Andrea Heinsohn
76th Berlin International Film Festival Red Carpet Opening Gala. Photograph: Jay Zoo

76th Berlin International Film Festival Red Carpet Opening Gala. Photograph: Jay Zoo

76th Berlin International Film Festival Red Carpet Opening Gala. Photograph: Jay Zoo



76th Berlin International Film Festival Red Carpet Opening Gala. Photograph: Jay Zoo

76th Berlin International Film Festival Red Carpet Opening Gala. Photograph: Jay Zoo

76th Berlin International Film Festival Red Carpet Opening Gala. Photograph: Andrea Heinsohn

76th Berlin International Film Festival Red Carpet Opening Gala. Photograph: Andrea Heinsohn

76th Berlin International Film Festival Red Carpet Opening Gala. Photograph: Andrea Heinsohn

76th Berlin International Film Festival Red Carpet Opening Gala. Photograph: Andrea Heinsohn

76th Berlin International Film Festival Red Carpet Opening Gala. Photograph: Jay Zoo

76th Berlin International Film Festival Red Carpet Opening Gala. Photograph: Jay Zoo

76th Berlin International Film Festival Red Carpet Opening Gala. Photograph: Jay Zoo

76th Berlin International Film Festival Red Carpet Opening Gala. Photograph: Jay Zoo

76th Berlin International Film Festival Red Carpet Opening Gala. Photograph: Jay Zoo

76th Berlin International Film Festival Red Carpet Opening Gala. Photograph: Jay Zoo

76th Berlin International Film Festival Red Carpet Opening Gala. Photograph: Jay Zoo




76th Berlin International Film Festival Red Carpet Opening Gala. Photograph: Andrea Heinsohn

76th Berlin International Film Festival Red Carpet Opening Gala. Photograph: Andrea Heinsohn

76th Berlin International Film Festival Red Carpet Opening Gala. Photograph: Andrea Heinsohn


76th Berlin International Film Festival Red Carpet Opening Gala. Photograph: Andrea Heinsohn

76th Berlin International Film Festival Red Carpet Opening Gala. Photograph: Andrea Heinsohn

76th Berlin International Film Festival Red Carpet Opening Gala. Photograph: Andrea Heinsohn

76th Berlin International Film Festival Red Carpet Opening Gala. Photograph: Andrea Heinsohn



76th Berlin International Film Festival Red Carpet Opening Gala. Photograph: Andrea Heinsohn

76th Berlin International Film Festival Red Carpet Opening Gala. Photograph: Jay Zoo

76th Berlin International Film Festival Red Carpet Opening Gala. Photograph: Jay Zoo

76th Berlin International Film Festival Red Carpet Opening Gala. Photograph: Jay Zoo

76th Berlin International Film Festival Red Carpet Opening Gala. Photograph: Jay Zoo

76th Berlin International Film Festival Red Carpet Opening Gala. Photograph: Jay Zoo

76th Berlin International Film Festival Red Carpet Opening Gala. Photograph: Jay Zoo

76th Berlin International Film Festival Red Carpet Opening Gala. Photograph: Jay Zoo

76th Berlin International Film Festival Red Carpet Opening Gala. Photograph: Jay Zoo

76th Berlin International Film Festival Red Carpet Opening Gala. Photograph: Jay Zoo

76th Berlin International Film Festival Red Carpet Opening Gala. Photograph: Jay Zoo

76th Berlin International Film Festival Red Carpet Opening Gala. Photograph: Jay Zoo

76th Berlin International Film Festival Red Carpet Opening Gala. Photograph: Jay Zoo

76th Berlin International Film Festival Red Carpet Opening Gala. Photograph: Jay Zoo

76th Berlin International Film Festival Red Carpet Opening Gala. Photograph: Jay Zoo

76th Berlin International Film Festival Red Carpet Opening Gala. Photograph: Jay Zoo

76th Berlin International Film Festival Red Carpet Opening Gala. Photograph: Jay Zoo

76th Berlin International Film Festival Red Carpet Opening Gala. Photograph: Jay Zoo

76th Berlin International Film Festival Red Carpet Opening Gala. Photograph: Jay Zoo

76th Berlin International Film Festival Red Carpet Opening Gala. Photograph: Jay Zoo

76th Berlin International Film Festival Red Carpet Opening Gala. Photograph: Jay Zoo

76th Berlin International Film Festival Red Carpet Opening Gala. Photograph: Jay Zoo

76th Berlin International Film Festival Red Carpet Opening Gala. Photograph: Jay Zoo

76th Berlin International Film Festival Red Carpet Opening Gala. Photograph: Jay Zoo

76th Berlin International Film Festival Red Carpet Opening Gala. Photograph: Jay Zoo

76th Berlin International Film Festival Red Carpet Opening Gala. Photograph: Jay Zoo

76th Berlin International Film Festival Red Carpet Opening Gala. Photograph: Jay Zoo

76th Berlin International Film Festival Red Carpet Opening Gala. Photograph: Jay Zoo

76th Berlin International Film Festival Red Carpet Opening Gala. Photograph: Jay Zoo



76th Berlin International Film Festival Red Carpet Opening Gala. Photograph: Jay Zoo

76th Berlin International Film Festival Red Carpet Opening Gala. Photograph: Jay Zoo

76th Berlin International Film Festival Red Carpet Opening Gala. Photograph: Jay Zoo

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