Monday, 2 November 2026

Travel: Destination La Dolce Vita, with a Side of Turkish Delight ~ the Long Way to Rome




There are easier ways to get to Rome from Melbourne, but few journeys offer quite such a contrast in flying experiences. For our inaugural Boarding Pass column, award-winning director, producer and filmmaker Franco Di Chiera, reviews his flights via Singapore and Istanbul. It became an exercise in comparing two very different philosophies of air travel: the no-frills practicality of Jetstar Economy and the more indulgent world of Turkish Airlines Business Class.

Overlooking the Bosphorous Strait in Istanbul,
and Galata Tower, built by the Genoese in 1348.
THE journey began with a Jetstar Boeing 787 from Melbourne to Singapore, before continuing aboard Turkish Airlines through Istanbul to the Italian capital. Three flights, two airlines and two classes of service provided plenty of material for comparison. 

There were unexpected pleasures, particularly in the form of Turkish Airlines' remarkable culinary offering, and a few frustrations that came with the territory of long-distance travel and multiple connections.

If the first flight demonstrated that a budget airline can deliver a surprisingly comfortable aircraft, the second revealed what business-class hospitality can achieve when food and service are treated as central to the experience. The final sector, however, offered a reminder that even the finest onboard service cannot entirely compensate for airport delays, lengthy transits and the inevitable fatigue of a long journey. So, was the longer route worth taking? 


LEG ONE: MELBOURNE TO SINGAPORE

Jetstar | Economy Class | 
Aircraft: Boeing 787 Dreamliner

At Melbourne Airport, at the gate waiting to board
the flight for the first leg of the trip with Jetstar.
1. DEPARTURE & AIRPORT EXPERIENCE

IT all began with a somewhat mixed introduction to Jetstar's ground operations in Melbourne. Check-in and boarding were not particularly problematic, but the standard of assistance varied noticeably between staff members.

When my self-check-in failed, I approached a nearby Jetstar employee for help. The response was less than encouraging, with a rather brash and disinterested staff member directing me to another colleague at a service desk. Fortunately, the latter was excellent, demonstrating precisely the sort of helpfulness one hopes to encounter when travelling.

Even finding a functioning power point at the departure gate proved surprisingly challenging. I had to investigate four outlets before finding one that worked. Not the most auspicious start to an international journey, although hardly a major inconvenience in the grand scheme of things.

2. THE FLIGHT

Once aboard, the impression improved considerably. The Boeing 787 Dreamliner was something of a surprise, presenting a modern, well-maintained aircraft that immediately challenged some of the assumptions one might make about flying with a budget carrier.

The cabin was clean, the atmosphere pleasant and the overall standard of the aircraft better than anticipated. For a flight of this distance, it provided a perfectly respectable introduction to the journey.

3. THE AIRCRAFT & CABIN

The 787's contemporary design and well-presented interior were among Jetstar's strongest assets. The cabin felt fresh and uncluttered, with a good sense of space and an overall standard of cleanliness that was particularly reassuring.

The aircraft was arguably the most impressive part of the Jetstar experience. It was also pleasing to discover that complimentary inflight entertainment was available, something I had not expected as part of our Turkish Airlines codeshare booking.

There was, however, one minor annoyance. The new blanket supplied during the flight left considerable fluff on our clothes, which proved surprisingly difficult to remove. A small detail, perhaps, but one that rather detracted from the otherwise well-maintained environment.

Jetstar's Economy which offered
decent legroom and seat comfort. 
4. THE SEAT & COMFORT

Seat comfort and legroom were both very good, as were the storage facilities. The cabin provided sufficient room to settle in comfortably, and the overall seating experience was better than one might reasonably expect from a budget airline.

There was nothing particularly luxurious about the arrangement, nor should there be at this price point, but the practical requirements of a comfortable journey were largely met.

5. SERVICE

This was where Jetstar's performance became less convincing. Despite the meals and drinks being included as part of the Turkish Airlines codeshare ticket, the cabin crew initially overlooked both me and my partner. We had to request our meal and subsequently our drinks, with the entitlements only confirmed after staff checked the passenger list.

What was disappointing was not simply the oversight, but the absence of any apology once the mistake had been established.

There were some friendly and helpful members of staff, but the inconsistency was noticeable. The difference between the excellent service at the check-in desk and the less accommodating encounters elsewhere suggested that the problem was not necessarily the airline's procedures, but their execution.

It was an avoidable inconvenience that required little more than better communication and attention to the passenger manifest.

6. FOOD & DRINK

The food was a more positive experience, although not without its shortcomings.

The Teriyaki vegetable noodle stir-fry was fresh and tasty, with a pleasant flavour, but unfortunately, it was lukewarm by the time it reached us. Served in an environmentally friendly cardboard container, the packaging was also less successful when it came to containing the accompanying sauce.

At approximately AUD $15 on the menu, it represented reasonable value. The ingredients were enjoyable, but the temperature was disappointing. A hot meal would have made a considerable difference to the overall impression.

It was particularly frustrating that I had to request food and drinks that were already included in my ticket. Once supplied, however, the meal itself was perfectly acceptable.

At Singapore's Changi Airport, the Rain Vortex
surrounded by a five-storey indoor green  garden.
7. ARRIVAL & OVERALL EXPERIENCE

The arrival into Singapore provided a fittingly smooth conclusion to the flight, with an exceptionally gentle landing.

Taking everything into account, Jetstar delivered a fair economy experience. The modern Boeing 787, comfortable seating, good storage and complimentary entertainment were all positives. The less consistent service, particularly the confusion over our meal entitlement, was the principal disappointment.

Jetstar is a budget airline rather than a conventional full-service economy carrier, and expectations should be adjusted accordingly. Nevertheless, when travelling on a Turkish Airlines Business Class ticket with a codeshare arrangement, one reasonably expects the associated entitlements to be recognised without having to request them.

I have often said I would not fly Jetstar again, only to find myself doing so for convenience. This experience has not entirely changed my view, although it was certainly better than some of my previous encounters.

RATING: ★★★☆☆

Best feature: The modern Boeing 787, comfortable seating and complimentary entertainment.

Biggest disappointment: Inconsistent service and having to request meals and drinks already included in the ticket.

Value for money: Reasonable, although better attention to passengers would cost the airline nothing.


LEG TWO: SINGAPORE TO ISTANBUL

Turkish Airlines | Business Class |
Aircraft: Boeing 777-300

The chef's wearing whites and special hats
were a highlight of the culinary experience. 
1. DEPARTURE

THE transition from Jetstar to Turkish Airlines was immediately apparent. Boarding the business-class cabin in Singapore, we were welcomed by exceptionally well-presented staff and, rather unusually, professionally attired chefs complete with traditional chef's hats.

It was an appealing introduction to an airline that clearly places considerable importance on hospitality. Refreshing non-alcoholic fruit drinks were offered almost immediately after taking our seats, setting a welcoming tone before the aircraft had even left the ground.

The attention to presentation and the involvement of chefs were early indications that this would be a rather different inflight experience.

2. THE FLIGHT

Despite being an older aircraft, the Boeing 777-300 was spotless and more contemporary in appearance than anticipated. The overall impression was of an airline that had invested in maintaining its aircraft and delivering a comfortable environment for its business-class passengers.

From the welcome aboard to the subsequent dining service, the flight established a standard that would prove difficult to fault.

The older seating was comfortable and allowed
easy conversation with travelling companions.
3. THE AIRCRAFT & CABIN

The business-class cabin featured an older rectangular seating configuration rather than the individual enclosed suites increasingly favoured by international airlines.

Nevertheless, it was comfortable, spacious and well maintained. The sliding partitions provided some privacy, although not to the extent offered by newer designs.

Interestingly, the arrangement had its advantages. Travelling with a partner, I appreciated being able to converse without feeling completely separated by individual compartments. For passengers travelling alone or beside a stranger, however, the greater privacy of a contemporary suite would probably be preferable.

The overall atmosphere was relaxed, with generous space and a welcome absence of the cramped feeling sometimes associated with airline cabins.

4. THE SEAT & COMFORT

Space was one of the most impressive features. There was almost a metre of room in front of the seat, placing the entertainment screen further away than usual. Its generous size meant this was hardly a disadvantage; in fact, it was a relief not to have a screen immediately in front of one's face.

Storage was particularly well considered, with a substantial compartment beneath the entertainment screen, additional space beside the seat and convenient room for reading materials and personal belongings. Importantly, the storage did not compromise the generous legroom.

The sleeping arrangements were equally impressive. Cabin attendants prepared the seats by placing a thin mattress over the seating surface, both softening the bed and providing an additional hygienic layer. They also extended the flatbed themselves, removing the need for passengers to struggle with the seat controls, before supplying a light doona and cushion.

The result was a comfortable sleeping arrangement conducive to a genuinely restful journey. These thoughtful touches made a noticeable difference and demonstrated an understanding of what passengers actually need during a long-haul flight.

One of the highlights of the Turkish Airlines
Business Class were the chefs and their meals.
5. SERVICE

The service was arguably the outstanding feature of the entire flight. Cabin crew were impeccably groomed, courteous and attentive, delivering what I would describe as the best inflight service I have experienced.

The presence of chefs in the cabin was more than a theatrical gesture. It reflected an approach to hospitality that treated the meal as an important part of the journey rather than simply another component of airline service.

There was, however, one minor inconsistency. Passengers occupying the middle seats appeared to be at a disadvantage during meal service, with the less accessible seating positions occasionally overlooked. My travelling companion received his meal considerably later than I did, by which time I was already halfway through mine.

The delay was not unreasonable, but a little more coordination would have made an otherwise outstanding service even better.

The food for the meals on the flight was truly superb.
6. FOOD & DRINK

Turkish Airlines' culinary offering was a revelation. Our selections included Turkish mezze, fresh prawn and an assortment of Turkish desserts, all beautifully presented and of an unexpectedly high standard.

The grilled salmon was particularly impressive. It is difficult to imagine a dish of such quality being served on an aircraft, yet it arrived beautifully prepared and was easily the standout of the meal.

Even the bread told a story, accompanied by information about the ancient heritage of a particular Turkish wheat variety. A small bottle of Turkish olive oil completed the presentation. These details demonstrated an appreciation of culinary heritage and provenance that elevated the experience beyond conventional inflight dining.

Breakfast was equally memorable. The Turkish breakfast included an excellent selection of cheeses, yoghurt and exceptional honey. The quality of the honey, in particular, was outstanding. Omelettes and crepes were also available and well prepared, although with so much already on offer, they were hardly necessary.

The drinks list was equally impressive, with wines from Turkey, France, Argentina, Spain and Portugal.

It was the combination of authentic Turkish cuisine, thoughtful presentation and attentive service that made the dining experience so distinctive. There was a sense of culinary identity rather than the generic international menu one often encounters in airline business class.

7. ARRIVAL & OVERALL EXPERIENCE

The Singapore–Istanbul flight was unquestionably the highlight of the journey. The combination of exceptional service, generous seating space and outstanding food made it a particularly memorable business-class experience.

The lounge experience was also very good, with food cooked to order, massage facilities and showers. Entertainment and Wi-Fi aboard the aircraft were equally impressive.

There was little to criticise beyond the uneven timing of meal service for middle-seat passengers. Turkish Airlines demonstrated that business class can be about considerably more than a comfortable seat and a lie-flat bed.

Of the three flights, this was the one that most clearly justified the premium associated with business-class travel.

RATING: ★★★★★

Best feature: Food, service and generous personal space.

Biggest disappointment: The slower meal service to passengers in the middle seats.

Value for money: Excellent.

Would I fly again? Definitely.


LEG THREE: ISTANBUL TO ROME

Turkish Airlines | Business Class | 
Aircraft: Airbus A330

The Turkish Airlines Business Lounge was elegant
offering fresh meals, showers and massages.
1. DEPARTURE & AIRPORT EXPERIENCE

BY the time we reached Istanbul, the prospect of the final flight to Rome was becoming particularly appealing. Unfortunately, the airport experience proved to be the most frustrating part of the entire journey.

The flight was delayed by more than two hours, with several gate changes adding to the uncertainty. Each announcement seemed to introduce another adjustment, until the final instruction confirmed departure from a gate requiring approximately 20 minutes of walking to another part of the terminal.

After travelling from Melbourne through Singapore, this was hardly the welcome one would hope for at the final transit point. Fortunately, access to the Turkish Airlines lounge provided some respite. Stylish and well serviced, it offered food cooked to order, showers and massage facilities. On paper, it was an excellent place to spend an extended transit.

In practice, however, there were a few frustrations. Finding the masseur to arrange a shoulder massage proved surprisingly difficult, while the wait for a shower was unreasonably long. Both were disappointing, particularly given the standard of the facilities and the airline's otherwise impressive approach to hospitality.

The lounge was certainly a welcome refuge, but the experience highlighted the difference between providing excellent facilities and ensuring that passengers can access them efficiently.

2. THE FLIGHT

Once finally aboard, the experience improved considerably. The Airbus A330 provided a comfortable setting for the final sector to Rome, and the cabin crew were once again polite, professional and exceptionally well presented.

After the delays and uncertainty at Istanbul Airport, it was reassuring to return to the familiar standard of Turkish Airlines' inflight service.

Although this was a shorter sector than the Singapore–Istanbul flight, the airline maintained a level of hospitality that made the final leg a pleasant experience.

3. THE AIRCRAFT & CABIN

The Airbus A330 featured a relatively basic cabin design compared with the more impressive business-class experience on the previous flight. It lacked some of the sense of space and sophistication that had made the Boeing 777 so appealing.

Nevertheless, the aircraft was very clean and the cabin well maintained. The design might have been unremarkable, but there was nothing particularly objectionable about the environment.

It was a functional and comfortable business-class cabin rather than an especially memorable one.

4. THE SEAT & COMFORT

Seating comfort and legroom were good, making the flight itself a pleasant experience despite the difficulties encountered at the airport.

The seat provided sufficient room to settle in and relax, and the overall level of comfort was appropriate for the journey to Rome.

There was little to complain about in terms of the physical experience aboard the aircraft. Indeed, the contrast between the airport delays and the comfort of the cabin was quite pronounced.

5. SERVICE

The cabin crew were again a credit to Turkish Airlines. Impeccably presented, polite and professional, they maintained the high standard experienced on the Singapore–Istanbul flight.

Friendly and efficient, their approach reinforced the impression that the airline's service culture is one of its greatest strengths.

The consistency of the cabin crew across both sectors was particularly noteworthy. Even when the airport experience had fallen short, the inflight hospitality remained a strong point.

The breakfast on the flight from Istanbul to Rome
was wonderful with honeycomb and ricotta.
6. FOOD & DRINK

Breakfast provided another culinary highlight and a fitting reminder of what Turkish Airlines does particularly well.

The Turkish breakfast was superb, with an excellent selection that included yogurt, fresh fruit and ricotta. The combination was outstanding, and the quality of the honey was particularly memorable.

We also shared an omelette, although it was fairly standard by comparison. Creating the impression of a freshly prepared omelette at altitude is understandably difficult. With such a strong selection of authentic Turkish dishes already available, there is perhaps little reason to compete with conventional breakfast offerings.

The honeycomb and ricotta were the real stars. In fact, that breakfast alone was almost worth the Turkish Airlines journey to Rome.

It was another example of the airline's ability to make food an integral part of the travel experience rather than simply a service obligation.

7. ARRIVAL & OVERALL EXPERIENCE

The final flight to Rome was very good in terms of cabin comfort, food and service. After the extended delay in Istanbul, it was a relief to have an otherwise comfortable final sector.

The principal disappointment was not the flight itself, but the time and energy consumed by the airport experience. Repeated gate changes, the considerable walking distance and the delays had taken their toll by this stage.

The Turkish Airlines service remained excellent, but the overall journey demonstrated how easily airport logistics can undermine an otherwise premium travel experience.

RATING: ★★★★☆

Best feature: The Turkish breakfast, particularly the honeycomb and ricotta, together with excellent cabin service.

Biggest disappointment: The lengthy Istanbul delay, repeated gate changes and difficulties accessing some lounge facilities.

Value for money: Yes, for comfort, food and service; less so when the additional travel time and multiple connections are considered.


THE FINAL VERDICT: TURKISH AIRLINES: A FIRST-CLASS CULINARY EXPERIENCE, WITH A FEW RESERVATIONS

Light flooding into the airy Istanbul Airport
with tall windows and vaulted ceilings. 
There is little doubt that Turkish Airlines deserves its reputation as a leading international carrier. Its approach to hospitality, the quality of its food and the professionalism of its cabin crew set it apart from many competitors.

The Singapore–Istanbul flight was particularly impressive, delivering a business-class experience that compared favourably with other international airlines I have travelled with. 

Its greatest strength is perhaps the understanding that business class should be about more than a lie-flat seat and an extensive drinks list. The emphasis on Turkish culinary traditions, the involvement of chefs and the small details surrounding the dining experience give the service a distinctive identity.

The longer journey from Melbourne to Rome, however, comes with a qualification. With no direct Turkish Airlines service from Australia, the itinerary required two separate transits and four airports. The lengthy delay in Istanbul, combined with walking distances and waiting times, made the journey considerably more demanding than it needed to be.

Would I recommend Turkish Airlines? Definitely, particularly for its business-class service, food and comfort. Would I fly with them again? Absolutely, although I would favour a more direct routing to Rome if one were available.

As for Jetstar, the Melbourne–Singapore flight was a fair experience, with a good aircraft and reasonable comfort, although the inconsistency of service left room for improvement. It was a reminder that a budget airline can deliver a perfectly acceptable aircraft and cabin experience, but that the smaller details of customer service remain important.

Ultimately, Turkish Airlines delivered the strongest part of the journey and demonstrated why it is such a serious contender in the international business-class market. Its food and hospitality were genuinely memorable. A little more attention to transit arrangements and airport service would make an already impressive airline considerably harder to beat.

The verdict? Take Turkish Airlines for the food, the service and the comfort. Just make sure you have a little patience for the journey in between.


THE BOARDING PASS SCORECARD

FlightClassRating
Melbourne–Singapore    Jetstar Economy★★★☆☆
Singapore–IstanbulTurkish Airlines Business★★★★★
Istanbul–RomeTurkish Airlines Business★★★★☆

Best of the journey: Turkish Airlines' food and inflight service.

Biggest disappointment: The extended transit itinerary and Istanbul delay.

Would I fly again? Yes — preferably on a more direct route.

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Sunday, 1 November 2026

The Black Designers Redefining British Fashion by Drawing on their own Heritage, Culture and History

Portrait of multi award-winning, Jamaican-born and London-based fashion designer Francesca Lake for the launch of her Spring/Summer 2027 collection called 'Wake the Town' presented at London Fashion Week. Photograph: Petros Studio. Cover picture of Paris streetstyle by Brittany Scott for DAM 


By Andrew Ibi

British fashion has always been shaped by creative exchange: forged inside melting pots, authored by radical style communities – and often fuelled by class and migration. Over the past decade, we’ve witnessed the distinct emergence of a new genre centred on the Black British experience. 

It has seen its designers drawing on their unique histories, the most prominent of which are Martine Rose, Priya Ahluwalia, Nicholas Daley, Bianca Saunders, Saul Nash and Grace Wales Bonner, with the latter appointed to lead Hermès menswear in 2025.

The story is evolving. A new wave of talent is developing its own visual languages, challenging notions of Britishness and the expectation of what Black fashion design should look like.

At London Fashion Week in September 2026, Francesca Lake presented Wake the Town, a spectacular exploration of Jamaican funeral traditions, nuanced dress forms and their cultural contradictions.

Lake is developing an immersive design language that celebrates cultural memory and contemporary invention. The Jamaican-born, London-based designer is skilfully disrupting historical style notes to subvert ruffled lace crinolines and elaborate church headwear while purposing theatrical silhouettes into a distorted proposal of British identity.

Joshua Ewusie, founder of E.W.USIE, is busy transforming everyday cultural references into luxurious and sophisticated fashion. His In Lieu of Flowers, spring/summer 2027 collection, draws on the domestic interiors of Ghanaian households, using contemporary and traditional crafts as a cultural bridge.

Rising fashion star Tolu Coker is reimagining British tailoring through fusing her Nigerian heritage and her working-class upbringing in west London. Her February 2026 London Fashion Week presentation, which was attended by King Charles, took direct inspiration from the council estate where she grew up. The king’s presence was a significant moment of recognition for cultural value and Coker’s contribution to luxury fashion.

Elsewhere, debuting labels like are flourishing. NUB contemplates the convergence of heritage and metropolitan London life, while GOYAGOMA, founded by Traiceline Pratt, approaches womenswear through exploring identity, femininity and the everyday experiences of diasporic communities.

Storytelling and cultural reportage have themselves become a form of luxury. But this “luxury” is no longer just about expensive fabrics or high-end logos – instead, the real desirability and prestige come from the meaningful stories, history and authentic cultural heritage woven into the clothes.

At a time when immigration and national identity remain contested political questions, the work of these designers consolidates a vivid picture of modern Britain, shaped by overlapping cultures, communities and histories. Crucially, it offers a more expansive account of identity than political categories often allow.

Beyond a single Black aesthetic

History, experience and heritage remain central to storytelling. But designers are equally keen to debate how Black bodies should be dressed and understood.

More established voices like Bianca Saunders have already reworked traditional menswear silhouettes, challenging uncomfortable and familiar ideas about gender.

Saul Nash, also a choreographer and dancer, has assimilated technical sportswear with movement, helping to stage new expectations of masculinity – shaping a genderless, softer, fluid outcome. Nigerian-British designer Mowalola has been using a provocative design vocabulary to explore sexuality and popular culture with her distinctive use of leather, challenging gender expectations and respectable dress codes.

Jamaican-born and Cayman Islands-raised Jawara Alleyne’s experimental garments challenge commonplace notions of Black male bodies and masculinity. Through draping, slashing, knotting and pinning, his assembled propositions offer a unique culture clash of Caribbean traditions and London’s punk histories. Like many of his contemporaries, Alleyne’s education was completed at Central Saint Martins.

A 2019 graduate of University of the Arts London’s College of fashion, Abigail Ajobi uses luxury streetwear to engage with social issues, community empowerment and youth culture, intrinsically challenging the role of fashion and the runway.

A generation shaping Britain’s style future

Perhaps the most significant evolution is freedom to fearlessly author, build and create personal artistic worlds. Yaku Stapleton’s fantastical collections draw on family storytelling and creative character building influenced by video games. The designer imagines immersive environments which spawn playful, experimental clothing.

Torishéju Dumi also transforms her tailoring through experimental construction, drawing on historical references and unconventional silhouettes. Her work reflects on her personal cultural heritage, but she does not position it as its central purpose.

Ethiopian-born, London-based Feben approaches fashion through a surrealist lens, citing “form and matter” as merging contributors to distinctive textured and draped forms. Ronan McKenzie’s label, Selasi, works with the simple notion that women should “understand and listen to their own bodies” – and her cultural identity is embedded in the process.

In 2023, I co-curated The Missing Thread at Somerset House in London, an exhibition that recovered overlooked contributions to British fashion. One was Joe Casely-Hayford’s, which was shaped partly through responses to political and societal changes; at the same time, he defined the first iteration of Black British identity in fashion.

Today, this new generation is writing the next chapter while expanding into unexpected directions. Their work excels amid political tensions and arguments about immigration and belonging, but they are not necessarily presenting overt political statements. Being Black, or British, has never been a monolithic experience.

Culture is not fixed – it is a continuously altered by its participants. It is a tapestry to be refined, deconstructed and repurposed for its own users. These trailblazing young designers bring a huge range of voices to British fashion, expanding its cultural imagination and redefining who has the authority to construct and create identity.The Conversation

Andrew Ibi, Programme Leader BA Fashion: Design & Communication, School of Art and Creative Industries, Liverpool John Moores University

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Saturday, 31 October 2026

The Shape of Things to Come: How Paris Street Style is Setting the Trends for the Year Ahead

Australian actor Aubri Ibrag in Paris wearing a draped, deep-blue Zimmerman short dress outside their SS27 show. Photograph (above) and streetstyle cover picture by Brittany Scott for DAM.

What will we be wearing in the year ahead? Earlier this month, before the French capital became a battleground, Paris Fashion Week Spring/Summer 2027 offered some compelling clues, from sculptural jackets and elegantly draped jersey to sharply tailored denim, exposed lingerie and bold colour combinations. Isabella Lancellotti examines the looks setting the agenda for the season ahead. Photography by Brittany Scott 

Portuguese model Kika Gomes wearing a
draped, ruched  and asymmetric jersey 
Balmain mini dress in Green Anis.
She attended the show in Paris.
LOOKING beyond the spectacle in Paris' crowded avenues and alleys during fashion week, we decode the street-style trends poised to shape the coming year and the individuals already making them their own. 

At runway shows by Balmain, Balenciaga, Lanvin, Zimmermann, Vivienne Westwood and Loewe, the streetstyle outside exhibited the emerging directions on an international cast of fashionistas: from Uma Thurman and Jessica Alba to Heart Evangelista and Jeanne Damas. 

Although Paris Fashion Week Spring/Summer 2027 is over, its most engaging ideas are already moving beyond the runway as the fashion crowd treat the streets as a laboratory for what comes next. 

The message was clear: dressing is becoming more individual, silhouettes more deliberate and the boundaries between daywear, eveningwear and underwear increasingly fluid.

Draping brought movement back into focus. Soft jersey fabric and fluid layers created a counterpoint to architectural shoulders and sculptural outerwear. The appeal is in the tension: clothes that follow the body but retain movement, with the textiles doing as much of the work as the cut. 

The jacket is the new centrepiece. Structured shoulders, cropped proportions, defined waists and sharply tailored shapes signalled a shift away from the oversized blazer. Worn with denim, skirts or unexpected combinations of textures, the fitted jacket offered a polished framework without making an outfit predictable. For the coming season, tailoring looks set to be less about conventional suiting and more about the power of a single, precisely cut piece.

Draping brought movement back with soft jersey and fluid layers creating a counterpoint to architectural shoulders and sculptural outerwear

English Singer Maisie Peters in Paris 
wearing a denim, cape top in Onyx Blue 
and a ruffled, high-waisted mini skirt, 
both by Zimmerman for SS27 in Paris.


Denim, meanwhile, is moving into more sophisticated territory. Sartorial denim combines the familiarity of jeans with the precision of tailoring, while straighter, slimmer cuts challenge the dominance of exaggerated volume. 

The forecast is not the disappearance of relaxed denim, but a broader choice of proportions, with the styling and construction determining whether a look feels casual, polished or deliberately subversive.

Colour and accessories provide another clue to the season ahead. Vivid reds, pinks, oranges, blues and greens bring energy to the Paris pavement, while animal prints, tactile surfaces, statement belts and distinctive jewellery give outfits a strong visual identity. 

Unexpected accessories and experimental styling also suggest that the most influential looks will be those that resist easy categorisation. The street-style wardrobe is becoming less uniform and more personal.

The people moving between the shows were equally diverse. Among those seen across the Paris fashion circuit and pictured in our gallery, were Hande Erçel, Karen Wazen, Jordan Rand, Emilia Silberg, Tan Suan and Georgina Mazzeo. Their presence reflected the global reach of Paris Fashion Week, where established fashion personalities, actors, models and digital tastemakers contribute to the visual culture surrounding the collections.

The jacket is the new centrepiece: structured shoulders, cropped proportions, defined waists and sharply tailored shapes 

American singer song-writer Charlotte
Lawrence wearing a lingerie-inspired,
Zimmerman sheer, black lace corset dress.
Lingerie-inspired dressing was another key trend worn by celebrities and stylists alike. Exposed bras, delicate camisoles and underwear worn as outerwear turn intimacy into a styling statement, suggesting that transparency and carefully considered exposure will remain central to the fashion conversation.

High profile names brought further attention to the week, including Zoey Deutch, Naomi Ackie, Eve Hewson and Manon Bresch. Other familiar faces included Katie Holmes, Naomi Watts, Poppy Delevingne, Paris Hilton and Jihoon, alongside Somrutai Rattanawaraha and Chloe Lecareux (all pictured below).

The strongest prediction for the season ahead is not one isolated trend but a new approach to combining them. Tailoring meets fluidity; denim becomes more precise; lingerie becomes visible; colour and accessories become more expressive. 

This season, street-style demonstrated, once more, that the future of fashion belongs not to those who follow a trend, but to those who know how to make it their own.

See more highlights from the Paris Spring/Summer 2027 Streetstyle:

































































































































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