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| On the first day of Paris Haute Couture SS26, Georges Hobeika unveiled his evocative new collection. |
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Georges Hobeika's shimmering gowns amid the glory of the 19th century American Cathedral in Paris. |
This season the silhouettes were elongated and precise, favouring column gowns, sculpted bodices, and draping. Structure was achieved through cut and construction with others using clever internal architecture, allowing garments to move on the body. Strapless gowns, asymmetrical necklines, and subtly contoured shapes recurred throughout the collection, establishing a cohesive visual rhythm rather than a series of statement looks.
Founded in Beirut in 1995, Georges Hobeika built a reputation for intricate hand embroidery and sculptural draping before entering the Paris couture calendar in 2001
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Delicate, translucent embroidery was a highlight of the collection. |
Hand-worked patterns, crystal applications, and metallic thread embroidery were used to articulate seams and frame the body, ensuring that craftsmanship enhanced the shape rather than obscuring it. In an era when many couture collections rely on outsourced embellishment, this insistence on internal expertise remains a distinguishing feature of the label.
The colour palette was deliberately narrow. Whites, nude tones, pale blush, and soft metallics dominated, with darker shades introduced selectively to anchor the collection. This controlled use of colour placed emphasis on texture, surface work, and construction, elements that have consistently defined Georges Hobeika's Paris presentations since the label became a Guest Member of the Chambre Syndicale de la Haute Couture in 2017.
Georges’ focus on embroidery and classic couture proportion is balanced by Jad’s preference for cleaner lines and a more contemporary approach to ornamentation
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Father and son design duo, Jad and Georges Hobeika are now co-creative directors officially since 2022. |
Georges’ focus on embroidery and classic couture proportion is balanced by Jad’s preference for cleaner lines and a more contemporary approach to ornamentation. The result is a collection that felt measured and assured, rather than transitional.
L’Amour, did not attempt to redefine the Hobeika aesthetic. Instead, it reinforced a couture vocabulary built over three decades, one grounded in technical discipline, embroidery mastery, and continuity. This collection of exquisite gowns showed the designers' commitment to refinement rather than reinvention, demonstrating that authority in couture is sustained through consistently high-quality work which will now be continued with the next generation.
Scroll down to see more highlights from the Spring/Summer 2026 Haute Couture collection in Paris













































